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Culture of the copy schwartz cover

Media Studies

The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles

Hillel Schwartz

Details

472 pp

24 black and white illus.

Published: November 1996

6 x 9

Paperback

$28.95, £23.00

ISBN: 9781935408451

Hardcover

Out of Print

ISBN: 9780942299359

Ebook

$20.95

ISBN: 9781935408529

The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us.

Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra—counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries, not to mention the very notion of the Real McCoy.

Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves.

“[Schwartz] has written the perfect book: original and repetitive at once.” –Los Angeles Times

This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with proglems of authenticity, identity, and originality.

“In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once.”  —Los Angeles Times

“The author . . . brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled . . . . A book that gets you to see the world anew, again.” —The New York Times

“. . . a sprightly and disconcerting piece of culture history.”  —London Review of Books